by Hannah Jackson
HJ: What do you think will be the most challenging aspect of the MFA program for you?
LAS: Remaining engaged will probably be the most challenging aspect of the MFA program for me. I tend to have a short attention span when it comes to long-term projects or being in one environment or city for too long. Three years is a long time. Being present for the entire journey could be a difficult task for me.
HJ: What do you feel that you have to offer the dance world that no one else has?
LAS: I am very attuned to minor details. Although it may not always show in the process of rehearsing and performing the works of other people it is apparent in my own choreography. Details such as slightly disparate angles of the head or placement of the hands or contractions of the body between various dancers involved in my work cause me to pause a rehearsal to make adjustments. I find meaning in details like gesture and body language and breathing that others may not interpret or include in their choreographic process. This observation and criticism of detail has allowed me to improve my teaching skills, make interesting decisions with choreography, and to pick up differences in movement techniques and styles at a solid pace. I cannot say that this is something that only I can offer to the dance world, however it is unique and leads me to study choreographer’s who express this same attention to detail.
HJ: Is there something in particular that you feel burdened to create work about, or do you cull from various subjects (and if so, what piques your interest)?