A Thought-Leader In Family & Children’s Dance Classes | Houston, TX
Frame Dance is a thought leader in dance education, inspiring the next generation of movers, makers, and world changers by offering dance classes for adults & children, multi-generational ensembles, professional performances, networking events, and film festivals. We are nestled between West U and the Museum District.
We believe in developing the whole dancer, teaching critical life skills such as creative thinking, leadership, collaboration, and resilience through our artful and playful dance curriculum at our studio and in partner schools.
Our adult modern dance classes are designed to offer you the joy and magic that’s possible when you create space in your life to move, to grow, and to share in the creative process with a like-hearted community.
For more than ten years, Frame Dance has brought radically inclusive and deeply personal contemporary dance to Houston. Led by Founder and Creative Director Lydia Hance, whom Dance Magazine calls “the city’s reigning guru of dance in public places,” the professional company is made up of six acclaimed co-creators committed to collaboration. Frame Dance has created over 50 unique site-specific performances and nine dances for the camera screened in festivals all over the United States and Europe. With an unrelenting drive to make dance in relationship to environment, Frame Dance has created dance works for and with METRO, Houston Museum of Natural Sciences, Houston Parks Board, Plant It Forward Farms, CORE Dance, Rice University, Houston Ballet, 14 Pews, Aurora Picture Show, and the Contemporary Arts Museum. Frame Dance’s productions were described by Arts + Culture Texas Editor-in-Chief Nancy Wozny as “some of the most compelling and entertaining work in Houston.” Creative Director Lydia Hance is a champion of living composers and is dedicated to work exclusively with new music.
Did you know the Bayou Greenways 2020 project from @Houston Parks Board – Parks by You will create a continuous parks system along Houston’s major waterways? Come celebrate the progress and our city at #BayouGreenwayDay April 4! www.BayouGreenwayDay.org
The free, family-friendly event will take place on Brays Bayou in the East End and will feature fun activities like biking, kayaking, a fun run, Zumba, music and more! www.BayouGreenwayDay.org
The Framers are performing at noon, embarking from Mason Park. Meet us there!
If you are a dancer in Houston and you have ever taken a dance class with Jane Weiner of Hope Stone Dance, you are familiar with the classic manner in which she ends each class. She says something like, “Take a moment to find yourself in the mirror and thank body, mind, and soul for where you were today. It takes all three of these to be the artist/dancer/human that you are, and you are exactly where you need to be on your journey.” One day after a particularly invigorating and mind opening class, I thought in response, “Where am I?”
Some of you may have asked yourself this question at least once or twice in your life, but I really felt like it was the first time I had ever asked myself this question. I had made a lot of decisions regarding my life and career in the last few years, and it seemed that I had simply said yes to everything, hoping that it would pay off in some huge way. The reality hit that nothing had really launched me to the success I had wanted quite like I had hoped. Small progresses had been made, but I was still doing the adjunct hustle, still teaching in studios until 9:00 pm every night, still just making ends meet the only way I had figured out how.
I wanted and had expected more from myself in every area of my dance career. I wanted more performance opportunities.I wanted a full time teaching position at the college level.I wanted to create. Some of the grief came back… in grad school I had all this time, and free space, and free dancers to create and recreate. Without the convenience of all these gifts right at my fingertips, I had stopped creating and I was feeling it.
It instantly seemed apparent to me that nothing I had accomplished for myself within the last few years was enough for me. It was fine… but it could be so much better. I felt myself spiraling down into a deep dissatisfaction with myself. As a consequence, I also knew that another identity crisis would soon ensue. I did what I always did when I felt inadequate… I called my mother. There is something about the idea that your mother’s womb is your first home that makes you want go back to it each time you feel lost. We’ve all seen that cute little Pinterest quote that says something like, “you’re the only one who knows what my heartbeat sounds like from the inside.” You know the one I’m talking about? Well it’s true; no matter where I live, my mother’s lap will perpetually be my true home.
Mom said what she always said. She told me that she loved me. She told me I was not a failure, even though it was okay to fail sometimes, because that’s how we learn. She reminded me of all I had accomplished since my graduation, and to be grateful for all that I have. She reminded me that no one ever succeeded by giving up. And then she told me to look at the areas of my life that I was unhappy with, understand what it was that made me unhappy, and change it if possible. Mom was also convinced that one day I would dance for Hope Stone, so Jane, if you’re reading this, I’m ready when you are.
Now, I love my mom, but she’s a little biased. The woman was my biggest fan, truest supporter, and my hero, but at the time, I didn’t believe a word she said. But I did take her advice, and I did make changes. I said no to opportunities that I felt would not be fulfilling. I went after the opportunities I really wanted.I let go of positions that were not helping me to achieve my goals. All of this was good for me, and I felt progress, but I still had this overwhelming dissatisfaction with my life. I compared myself to others, and I just didn’t add up. I was in a rut.
Then one day, as I was surfing Facebook and looking at how successful and happy all my friends seemed to be at all times, I came across an article on the Huffington Post titled Why Generation Y Yuppies are so Unhappy written by Tim Urban. So remember that generation I was telling you about? The one that has it in their heads that they can do anything they want, like be an astronaut or the president? This generation believes that they are special and have special gifts to offer the world, and apparently they have outrageous expectations for themselves about who they will be and what they will accomplish. Sound familiar?
In fourth grade when my teachers and parents told me I could do “anything” I want to do, what I heard was I can do “everything” I want to do. I have lived life with this idea in mind, and it has served me in several instances, but at this moment, in the current economy, and in my current profession, it was not serving me at all.
So what did I do? I made a dance, and I made this the subject matter. I explored through movement and design this idea of inadequacy. I questioned all the different parts of me that seemed to be a priority. There is a part that just wants to dance; this is the part that craves spontaneity and a little bit of the spotlight. There is part that wants to teach and really make a difference in the lives of students; this is the part that needs the stability of a full time position in order to feel successful. Then there is the part that loves to create – to simply express ideas through movement, boldly accepting judgment, hoping that just one person might truly get it.
I ultimately found that each part of me was fighting for attention, and in order for one part to shine, the other two needed to take the back seat. What I concluded was that I was really craving wholeness instead of this compartmentalized, competitive, existence.
Knowledge can be a tricky thing, but I think what I now know is that we all have responsibilities and priorities, and, more importantly, we all have limits. See, I didn’t think that I had any limits. Sometimes we do have to choose, because it is simply not possible for us to have all that we want all at once. And maybe Jane’s right… maybe where we are, is exactly where we need to be at any given point in time. And maybe my mom is right too… that if we aren’t necessarily where we want to be in life, we have the power to change that. And maybe it’s time for me to trust both of these concepts and allow them to work together.
Jamie Zahradnik is from Wharton, Texas.She attained her BFA in Dance from SHSU graduating Summa Cum Laude in May 2008, and her MFA in Dance in 2011.She is also a certified Laban/Bartenieff Movement Analyst.Jamie has performed with Rednerrus Feil Dance Company, and Psophonia Dance Company, and has most recently performed for local independent artists Laura Gutierrez, Brittany Theford-Deveau, and Rebekah Chappell. Jamie currently serves as a dance professor and the dance program coordinator for San Jacinto College. She loves sharing herself with others through performing, teaching, and creating.
Do you have a grad school story you’d like to share? Have questions or advice that you gleaned from grad school? Was it all that you dreamed of? Or maybe not? Contact us, we’d love to hear from you.
About Frame Dance’s next performance: Bayou Greenway Day on April 4
We hope you will join us at an exciting new community event from the Houston Parks Board: Bayou Greenway Day 2015 presented by Noble Energy! This free, day-long event will offer families the chance to walk, bike, run, stroll, play and paddle between park sites along Brays Bayou Greenway in the East End.
Event “hubs” in Mason Park, Spurlock Park, Gragg Park and Fonde Park – and the Brays Bayou Greenway trail in-between – will host fun activities for all ages. You will be able to start at any of these locations, enjoying activities and exploring the trails that connect the parks.
Activities will include 5K fun run/walk; bike rides, rentals and decorating; Zumba classes and dance performances; an interactive campsite; kayaking (for a small fee); giveaways and more!
Frame Dance will perform a work that travels along the bayou with elaborate time-lapse costumes by Ashley Horn.
Come experience the transformation happening along Houston’s bayous as part of Bayou Greenways 2020! Visit www.bayougreenwayday.org for additional information and an event map. Most activities free; April 4, 10 a.m. to 3 p.m. The Framers perform at noon starting at Mason Park.
Bayou Greenway Day 2015 is a project of the Houston Parks Board in collaboration with the Mayor’s Office of Special Events, the Houston Parks and Recreation Department, and the office of Council Member Robert Gallegos.
I hate the term accompanist,” continues Burnside. “You can’t deny there are connotations that it’s a secondary entity. But unfortunately I can’t think of a better one. If you insist on being called a pianist then people think that you’re comparing yourself to Sviatoslav Richter. That’s not what it’s about: you’re just asking to be taken seriously in your own right.'”
Who are Roger Vignoles and Anna Tillbrook? I didn’t know either. They are musical accompanists– unsung heroes. Read the stories of famous accompanists in this article here.
Tilbrook says there are times when she has saved singers from embarrassment. “The real art is to have that sixth sense, knowing when they are going to have a memory lapse, when they’re going to come in a bar early or even skip a whole verse. You have to be able to cover all that in your playing, so smoothly that no one notices.”
You may have heard about Lammily, the Barbie modeled after a real 19 year old girl. She’s pretty great. Check her out in this video calling out our culture’s obsession with image over accomplishments.
Since Shamed, currently in production with Frame Dance, Eddie has been busy with a number of creative projects. In July and August 2014, he studied composition with Wandelweiser founder Antoine Beuger in Düsseldorf, Germany (where he also attended concerts and looked for birds). His work has been recently performed by the Da Capo Chamber Players (for philip von zweck), Dalia Chin and Kate McDuffie (when we try to pick out anything by itself we find it hitched to everything else in the universe), and the Callithumpian Consort (curving tide). His current projects include new pieces for the Laramie County Community College New Music Ensemble (Cheyenne, Wyoming) and Musica Nova (Tel Aviv, Israel).
In January 2015, Eddie co-founded the Experimental Music Study Group, which curates discussions and performances in the Durham/Chapel Hill-area. He is completing his dissertation work at Duke University, where he currently teaches a class about Sonic Ecology.
We are pleased to announce the winners of the 2015 Frame Dance Music Composition Competition! Their work will be presented by Frame Dance throughout 2015. Many thanks to all who submitted and our incredible panel.
First Place: Alex Freeman
Blueshift
for flute, clarinet, violin, cello, piano, and percussion
Alex Freeman (b. 28 April 1972) is a recipient of the 2014 McKnight Composer Fellowship. His music has garnered acclaim and commissions from the Jerome Foundation, ASCAP, The American Scandinavian Foundation, the Sibelius Academy, American Composers Forum and the American Academy of Arts and Letters. Born in Raleigh, NC, He holds degrees from the Eastman School of Music, Boston University’s School of Fine Arts, and the Juilliard School, where he completed his doctoral studies in 2004. His doctoral research led him to Finland, via Fulbright Fellowship, where he lived for six years, studying at The Sibelius Academy and freelancing, before he assumed his current position of Assistant Professor of Music in Composition at Carleton College in Northfield, MN. His chamber works and choral music are performed regularly in the US and abroad.
Recordings of his music have been released by Albany Records, Innova Recordings, and Navona Records, including, most recently, a CD of complete his piano works by Albany Records, Inner Voice, a recording of his chamber work, Blueshift, by Parma Recordings, and internationally acclaimed recordings of his choral works by The HOL Choir and Tapiola Children’s Choir. His degrees are from The Juilliard School, Boston University, and The Eastman School of Music.
Second Place: Gabriel José Bolaños Chamorro
Miniatures
For Steel String Guitar Duet
Gabriel José Bolaños Chamorro (b.1984 Bogotá, Colombia) is a Nicaraguan-American composer and guitarist. He is pursuing his PhD at UC Davis, and is currently studying with Mika Pelo.
He received a bachelor’s degree from Columbia University in 2007 where he studied composition with Fabien Lévy and Sebastian Currier, and orchestration with Tristan Murail. He has also worked as a freelance musician in New Haven, CT, and was a professor of theory, analysis and guitar at the Casa de los 3mundos music academy in Granada, Nicaragua. His work draws upon a variety of interests including linguistics, spectralism and the physical properties of sound, psychoacoustics and geology.
Third Place: Joel Love
Lightscape
for string quartet
The music of Joel Love explores an eclectic mix of genres, from short video pieces to works for chamber and large ensembles. It creates colorful landscapes of sound through the use of image, melody, and extended tonality, and seeks to reveal the connection between music and spirituality.
Joel was recently commissioned to compose a new work, Lightscape, for the opening of light artist James Turrell’s The Color Inside, which was unveiled in October of 2013. Molly Glentzer from the Houston Chronicle wrote that “the music evocatively captures the emotion of The Color Inside.” PARMA Recordings selected Lux andSynchronicity in Purple Minor for publication in their 2013 and 2012 Anthology, respectively. In May of 2013, Aurora Borealiswas selected as a finalist in the 3rd International Franck Ticheli Composition Contest. In 2010, Real Fiction received a Compositional Excellence Citation by the New York Youth Symphony. In 2009, Da Camera of Houston presented Joel with an Aspiring Artist Award and the commission of Just One Person.
His film scores include the documentary film Stitched, official selection at the 2011 Carmel Art and Film Festival, as well as a short film Kidfellas, “Best Musical Score” at Houston’s 2011 48-Hour Film Project. Other notable collaborations with artists from other disciplines feature a city-wide public art exhibit with artist Karyn Olivier, Inboud: Houston, anda 3-month installation by Prince V. Thomas, On Joy, On Sorrow at the Houston Center for Photography, praised by the Houston Chronicle as ”a beautiful piece that feels cleansing to watch.”
Joel recently completed a DMA in Composition from the University of Texas at Austin and holds degrees from The University of Houston’s Moores School of Music (M.Music) and Lamar University’s Mary Morgan Department of Music (B.Music).
Film Score Winner: Leah Reid
Ring, Resonate, Resound
7 channel acousmatic composition
Leah Reid (b. 1985, New Hampshire) writes vibrant compositions that examine the innermost nature of sounds. Reid’s work is noted for its exploration of time, timbre and texture. Reid holds a D.M.A. and M.A. in composition from Stanford University and a B.Mus in composition from McGill University. She was awarded the Pauline Oliveros Prize for her piece “Pressure” for viola and electroacoustic media. Reid has had works performed in the United States, Canada and Europe with premieres by Livia Sohn, Geoff Nuttall, the Jack Quartet, Sound Gear, Talea, Seth Josel, the Pheonix String Quartet and McGill’s Contemporary Music Ensemble. Reid’s principal teachers include Mark Applebaum, Jonathan Berger, Brian Ferneyhough, and Sean Ferguson.
Reid currently teaches at the University of the Pacific and continues her research on the compositional applications of multidimensional timbre representations.
Robert McClure moved to China and accepted the new position of Assistant Professor of
Music Composition at Soochow University in Suzhou, China (close to Shanghai) in 2013. Over the past year and a half his music has been performed across North America, Asia, and Europe at Festivals such as Sonorities Contemporary Music Festival, New York City Electronic Music Festival, North American Saxophone Alliance National Conference, Festival Musiquem, and the Toronto International Electroacoustic Symposium. His recent/current projects include a piece for violin and percussion, fixed media piece with sounds from the Anji Mountains in China, piece for vibraphone and computer, piece for bass flute, clarinet, and computer, and a new string quartet for Frame Dance to be premiered sometime in 2016. On April 30, 2014, he and his wife Kate welcomed their first child, Violet August. She is in great health and an absolute joy. She is getting quite proficient at the maracas but also shows promise with ukulele and the melodica and enjoys dancing to early 90’s hip hop.