Eat Well Wednesday: Cinnamon Raisin Bites

Eat Well Wednesday Uncategorized

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Love oatmeal cookies? These bite sized treats are perfect for YOU!

Cinnamon-Raisin-Dessert-Bites

What you need:

  • 3/4 Cup Peanut Butter, smooth
  • 1/2 Cup Honey
  • 1 1/4 Cup Rolled Oats
  • 1/4 Cup Flax Seed
  • 1/4 Teaspoon Cinnamon
  • 1/4 Teaspoon Salt
  • 1/2 Cup Raisins
  • White Chocolate to drizzle, optional
How you do it:

  • Warm peanut butter and honey in a microwave safe bowl for about 20-30 seconds or until soft.
  • Add remaining ingredients and stir well.
  • Place in the fridge and let sit for about 30 minutes.
  • Roll into bite sized balls.
  • Melt white chocolate chips in the microwave for about 1 minute.
  • Drizzle over the cinnamon raisin bites and let set.
 
0-1Jill Wentworth is leading us Wednesday by Wednesday into making better food choices and being more healthful. Tune in every Wednesday to get some great recipes and advice from someone who really knows health. In an effort to fuel her passion to serve as well has enhance the lives of others through their nutritional choices, she started Eat Well SA(San Antonio). Her vision is to educate you on how to incorporate a healthy array of foods into your life. Eat Well is not a diet, nor does it embrace any one specific dietary agenda. She also offers customized programs that are educational and teach you the tools you need to maintain healthy, well balanced eating for your busy lives.

Tuesday Tunes: Leslie Caron

Tuesday Tunes

Tuesday Tunes


This Tuesday we are spotlighting the elegant and charming…

              Leslie Caron!

 

Unfortunately, Hollywood considers musical dancers as hoofers. Regrettable expression.

French ballet dancer Leslie Caron was discovered by the legendary MGM star Gene Kelly during his search for a co-star in one of the finest musicals ever filmed, the Oscar-winning An American in Paris (1951), which was inspired by and based on the music of George Gershwin. Leslie’s gamine looks and pixie-like appeal would be ideal for Cinderella-type rags-to-riches stories, and Hollywood made fine use of it. Combined with her fluid dancing skills, she became one of the top foreign musical artists of the 1950s, while her triple-threat talents as a singer, dancer and actress sustained her long after musical film’s “Golden Age” had passed.

Leslie Claire Margaret Caron was born in France on July 1, 1931. Her father, Claude Caron, was a French chemist, and her American-born mother, Margaret Petit, had been a ballet dancer back in the States during the 1920s. Leslie herself began taking dance lessons at age 11. She was on holidays at her grandparents’ estate near Grasse when the Allies landed on the 15th of August 1944. After the German rendition, she and her family went to Paris to live. There she attended the Convent of the Assumption and started ballet training. While studying at the National Conservatory of Dance, she appeared at age 14 in “The Pearl Diver,” a show for children where she danced and played a little boy. At age 16, she was hired by the renowned Roland Petit to join the Ballet des Champs-Elysees, where she was immediately given solo parts.

Leslie’s talent and reputation as a dancer had already been recognized when on opening night of Petit’s 1948 ballet “La Rencontre,” which was based on the theme of Orpheus and featured the widely-acclaimed dancer ‘Jean Babilee’, she was seen by then-married Hollywood couple Gene Kelly and Betsy Blair. Leslie did not meet the famed pair at the end of the show that night as the 17-year-old went home dutifully right after her performance, but one year later Kelly remembered Leslie’s performance when he returned to Paris in search for a partner for his upcoming movie musical An American in Paris (1951). The rest is history.

 

Lise – An American in Paris (1951)

 

 Daddy Long Legs (1955) – Sluefoot – Leslie Caron & Fred Astaire

 

Gene Kelly and Leslie Caron- An American in Paris

 

 

Fun Facts About Miss Leslie Caron

 

One of the few actresses to have danced with both Fred Astaire and Gene Kelly in the movies, other actresses that have also done this includes Judy Garland, Cyd Charisse, Vera-Ellen, Debbie Reynolds, and Rita Hayworth.

Member of jury at the Cannes Film Festival in 1980

Was president of the jury at the ‘Internationale Filmfestspiele Berlin’ in 1989.

For Peter Hall’s 30th birthday her present was – simply – a Rolls Royce.

Returned to work 3 months after giving birth to her son Christopher Hall to begin filming Gigi (1958).

Received the 2,394th star on the Hollywood Walk of Fame [December 2009].

Once romantically linked (1995-1996) to handsome “Laredo” actor Robert Wolders who married older actress Merle Oberon and was the companion of older actress Audrey Hepburn until her death in 1993. Leslie is five years older than Wolders.

She and her daughter, Jennifer Caron Hall, co-starred on an episode of The Love Boat (1977), in the parts of mother and daughter, both con artists, engaged in fleecing millionaires.

 

Links We Like!

Links We Like

          FRIDAY IS HERE!!!

 

 

Things You Did As A Kid That Your Kids Will Never Do

http://blog.chron.com/momhouston/2014/03/things-you-did-as-a-kid-that-your-kids-will-never-do/?cmpid=lifestylehcat#21657101=19

 

Slightly Weird But Really Cool! 

http://blog.petflow.com/i-had-no-idea-they-did-this-ultra-slow-motion-shows-something-truly-fascinating-about-dogs/

 

If You Haven’t Already Seen This…All Three of You…WOW!

 

 Even Animals Love Playing in Puddles

 

 

Tuesday Tunes: Michael Flatley!

Tuesday Tunes

Tuesday Tunes

 

 Today is the final day of our St. Patrick’s Day

celebration and what better way to end it than with…

 

 

The Lord of the Dance: Michael Flatley!

 

 

I will be a dancer until the day I die

 

Flatley is a native of the South Side of Chicago.  He is of Irish American background, being born to Irish parents. He began dancing lessons at 12 and, in 1975, became the first non-European resident to win the World Championship for Irish dance. He is a trained amateur pugilist as well as a proficient flautist, having twice won the All-Ireland Competition. In dance, Flatley was taught by Dennis Dennehy at the Dennehy School of Irish Dance in Chicago, then went on to produce his own show. After graduating from Brother Rice High School, on Chicago’s Southwest Side, he opened a dance school.

Flatley created and choreographed the original Riverdance and led the show to great success as the intermission act in the Eurovision Song Contest on April 30, 1994. Flatley then starred in the full-length show that was developed from the seven-minute number.

After the show’s first run in London, Flatley left Riverdance in late 1995 due to problems over creative control. He then produced, directed, and choreographed Lord of the Dance, which played mostly in arenas and stadiums instead of theaters. He also put together a dance production called Feet of Flames in 1998. He later went on to produce another version of that show with around 50% different numbers from the 1998 show. Titled Feet of Flames: The Victory Tour, he toured Europe in 2000 and the U.S. in 2001.

In December 2001, Flatley became the first recipient of the Irish Dancing Commission Fellowship award, an honorary degree in Irish dance, and was simultaneously made a Fellow of the American Irish Dance Teachers’ Association. Irish America magazine named Flatley Irish American of the Year in March 2003. In 2004, Flatley received an honorary doctorate degree from University College Dublin, and that same year received the prestigious Ellis Island Medal of Honor in New York.

Flately’s latest Irish dance show is Celtic Tiger, which opened in July 2005. The show explores the history of the Irish people and Irish emigration to the U.S., fusing a wide range of dance styles, including jazz. The show also includes popular elements from his previous shows, such as Flatley’s flute solos and the line of dancers in the finale.

In 2007, The Freedom of the City of Cork was conferred on Flatley at a ceremony in Cork’s City Hall. In 2008, he was conferred with the Freedom of the Borough of Sligo at a ceremony in Sligo City Hall. The Variety Club of Ireland presented Flatley with their Entertainer of the Decade Award in 2008.

In the fall of 2007, Flatley and a troupe of male dancers performed on Dancing with the Stars in the U.S. In 2008, he appeared as a guest judge on an episode of the show, filling in for Len Goodman. Also in 2008, he performed the solo “Capone” from Celtic Tiger on the show. Flatley was also the host of the 2009 NBC series Superstars of Dance.

Flatley returned to the stage in 2009 for a limited run of the “Hyde Park” version of Feet of Flames in Taiwan. His return was met with multiple standing ovations and the run of shows had to be extended to meet the demand for tickets.

In 2010, he returned to headline the Lord of the Dance show, with performances in arenas across England and Ireland, Germany, Switzerland and Austria. Lord of the Dance 3D, the film of the return tour, debuted in theaters worldwide in 2011.

Also in 2010, Flatley launched The Garden of Music and Memory in Culfadda, County Sligo, the village his father left to seek a new life in America. The ceremony included a speech and an impromptu performance of one of his father’s favorite tunes.

In 2011, he was inducted into Irish America magazine’s Irish America Hall of Fame.

Flatley released a flute album titled On A Different Note in 2011. The 25 tracks include airs and tunes he has played in his shows, other traditional tunes, and new compositions.

 

 

Rivedance! Seven minutes that started in all at the 1994 EuroVision Song Contest

 

Feet of Flames Solo 1998 London

 

Dancing with the Stars 2008

 

Fun Facts About Mr. Michael Flatley 

 

Flatley was the first American to win the World Irish Dance Championships and he also won numerous All-Ireland Flute Championships.

From 1978 to 1979 he toured with Green Fields of America, and in the 1980s he toured with The Chieftains.

He received the National Endowment for the Arts’ National Heritage Fellowship in 1988.

In May 1989, Flatley set a Guinness Book world record for tapping speed at 28 taps per second.

Flatley was named one of National Geographic Society’s Living Treasures in 1991 for mastery of a traditional art form by a living person – the youngest person at that time ever to receive this accolade.

Flatley broke his own record for tapping speed in February 1998, by achieving 35 taps per second.

Flatley also received Guinness Book recognition in both 1999 and 2000 for being the highest paid dancer, earning $1,600,000 per week and for having the highest insurance policy placed on a dancer’s legs at $40,000,000.

Free Events Thursday

Free Events Thursday

Houston Arboretum and Nature Center

Enjoy nature trail, bird watching, wildlife and forests at the Houston Arboretum and Nature Center. Calm your senses with a leisurely stroll through our 155-acre nature sanctuary with 5 miles of beautiful hiking. Located just 4 miles west of Downtown Houston.

  • Spring Native Plant Sale (Saturday, March 15 – March 16 and Saturday March 22 – March 23 at 9:00 a.m.-5:00 p.m.) 

 

How I See It: Houston Architecture

March 13, 2014-April 18 at 5:30 pm

Architecture Center Houston, 315 Capital,

Discover Houston architecture through the eyes of high school students in this Opening Reception of “How I See It: Houston Architecture.” This juried exhibition of local high school photography is for FotoFest 2014.

Price: FREE!!!

 

Relax With Yoga

Every Saturday, 9 am

Discovery Green

1500 McKinney on the Grace Event Lawn behind The Grove Restaurant.

This yoga class brings together elements of tai chi, kung fu, balance techniques and energy building poses. No pre-registration required.

Price: FREE!!!

 

Gaze At The Stars 

Reservations begin February 26

Jesse H. Jones Park & Nature Center

Humble at 20634 Kenswick Drive

Learn about the planets, stars and other celestial bodies at Jesse H. Jones Park & Nature Center’s Stargazing event.

Price: FREE!!!

 

“These Birds Walk” Houston Film Screening

March 13, 2014

River Oaks Theatre
2009 W. Gray St, Houston, TX 77019

Sundance Nominated film “These Birds Walk” by Omar Mullick and Bassam Tariq may be FINALLY coming to Houston. The film follows the life of runaway street children in Pakistan and the samaritans like Abdul Sattar Edhi who seek to care for them while living amongst them.

For those of you haven’t heard of Abdul Sattar Edhi, he is a guy who has been working for and living amongst the poor of Pakistan since 1947 to create rescue programs for over 20,000 abandoned infants, rehabilitation programs for over 50,000 orphans, training programs for over 40,000 nurses, and hundreds of food kitchens, shelters, and clinics for the mentally handicapped.

Price: $11 

 

Architects of Air

March 15, 2014 – March 23, 2014

Discovery Green
1500 McKinney Street, Houston, TX 77010

Back by popular demand, Britain’s Architects of Air returns to Discovery Green with Miracoco, a one-of-a-kind stunning new luminarium! Inspired by the Lotus Temple in India, the monumental, inflatable structure is a dazzling maze of winding paths and soaring domes designed to generate a sense of wonder at the beauty of light and color. Rising almost 30 feet in the air and occupying half a football field, Miracoco can be appreciated by people of all ages, cultures and abilities.

The line will close when the number of people already in line exceeds the number that will go into the structure by 6:30 pm. Admission is limited to 80 people in the luminarium at one time.

Price: $10

 

Battleship Texas Centennial Celebration

March 15, 2014 at 12:00 p.m.

3527 Independence Parkway South
La Porte TX 77571

This event is a celebration to honor the Battleship TEXAS, her legendary history and the men who served on her. The festival will be held on the grounds surrounding the Battleship TEXAS and will feature educational exhibits, a World War I and World War II historical zone, ship tours, a children’s activity zone, concessions, shops and live entertainment throughout the day including Robert Earl Keen, Reckless Kelly, Charlie Robison, and Bruce Robison & Kelly Willis. The day will end in a celebratory fireworks display.

Price: $20

 

6th Annual Festival “Russian Spring Celebration”

March 16, 2014 at 3:00 – 6:00p.m

2349 Bissonnet St, Houston, TX 77005

It becomes our tradition to invite Houston public and visitors of the city to celebrate the end of winter in style of Russian folk holiday. We offer delicious home-made bliny or Russian pancakes, which symbolize the sun. Also on sale will be another traditional Russian food – savory piroshky. The guests will have a chance to purchase original hand-made Russian souvenirs.

“Flying Balalaika Brothers”, the popular group from Austin, will provide the entertainment. The group plays various music: from Russian folk to bluegrass, country and rock. Their lively performance would leave no one unmoved. This year we will introduce to our guests a folk choir “Sudarushka”. Vadim Angerov, the well-known Houston musician will accompany them on the button accordion. There also will be special activities for children.

Price: $10

 

Come Celebrate St. Patrick’s Day at The Flying Saucer

March 17, 2014

15929 City Walk, Sugar Land, TX 77479

In celebration of St. Patrick’s Day, Flying Saucer Sugar Land will be selling pints for $3 all day.

Price: FREE!!!

 

 

 

 

Eat Well Wednesday: Energy Bites!

Eat Well Wednesday Uncategorized

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          Looking for more energy? 

 

Some of us rely on coffee to give us that afternoon boost.  Others gravitate towards sodas and sugary snacks. The answer can be a simple as fueling our bodies with high quality, unprocessed whole foods and snacks.  A few weeks ago we talked about Protein Bars, what exactly is in them, and if they were a beneficial part of a healthy diet.  If you missed it, you can check it out HERE.

In an effort to remove more processed food from our diets, these little energy bites would be the perfect alternative to processed protein bars.  They will give you the energy boost you are looking for, thanks to the whole grains, healthy fats, and natural sugars (honey), without having to consume highly processed, sugar filled snacks that have little to no nutritional value.

I whipped up a batch of these no bake energy bites for my sister-in-law who just had a beautiful baby girl last week.  With two other kids under the age of 4 in the house, there is no doubt she needs as much energy as she can get.  The kids loved these and they were the perfect little snack for those night time nursing sessions and long, busy days.

Keep a stash in the fridge at work and at home and you will always have a healthy, go to snack at your fingertips.

No-Bake-Energy-Bites-682x1024

Ingredients

  • 1 cup Old Fashioned Oats
  • 1 cup Coconut, Shredded
  • 1/2 cup Peanut butter, natural and smooth
  • 1/2 cup Ground Flax seed
  • 1/2 cup Dark Chocolate Chips ((Carob chips if you are dairy free))
  • 1/3 cup Honey
  • 1 teaspoon Vanilla

 

Directions

  • Combine all ingredients in a bowl and mix well.
  • Place in fridge and let sit for about minutes
  • Remove from fridge, roll into balls and place in an airtight container for 1 week in the fridge.

 

What is your favorite go to snack?  Leave a comment below! 🙂

 

HeadshotJill Wentworth is leading us Wednesday by Wednesday into making better food choices and being more healthful. Tune in every Wednesday to get some great recipes and advice from someone who really knows health. In an effort to fuel her passion to serve as well has enhance the lives of others through their nutritional choices, she started Eat Well SA(San Antonio). Her vision is to educate you on how to incorporate a healthy array of foods into your life. Eat Well is not a diet, nor does it embrace any one specific dietary agenda. She also offers customized programs that are educational and teach you the tools you need to maintain healthy, well balanced eating for your busy lives.

Tuesday Tunes: Colin Dunne!

Tuesday Tunes

Tuesday Tunes

 

 

St. Patrick’s Day Tuesday Continues with…

         Colin Dunne!

 

Colin Dunne was born 8 May 1968 in Birmingham, England to Irish parents. Colin Dunne took his first lesson in Irish step dance at the age of three with the Comerford School in his hometown. At the age of nine he won his first World Championship title and was the first dancer to win the World, All England and All Ireland titles in the same year. From the age of 12 he was taught by Marion Turley in Coventry and when he retired from competition at the age of 22, he had won a total of nine World, eleven Great Britain, nine All Ireland and eight All England titles. He was influenced from an early age by tap dance – Gregory Hynes in particular – which contributed to his often complex approach to rhythm within the structures of traditional Irish music. His musical approach to dance was also aided by his ability to play piano by ear. For years he played as a dance accompanist at competitions in the ragtime style of Irish dance piano music.

At the age of 19 he was the youngest person ever to receive an Irish Post Award in recognition of his achievements in Irish dance. Fellow award winners that year included poet Tom Paulin and theater director Declan Donnellan. Previous winners included Bob Geldof, Daniel Day-Lewis and Brenda Fricker.
Education.

Between 1992 and 1995 he toured regularly with musical groups The Chieftains and DeDannan. The former saw him begin a dance partnership with Jean Butler. The latter lead to a memorable performance with Frankie Gavin and Stéphane Grappelli at Belfast’s Ulster Hall, and then to a collaboration with American tap dancer Tariq Winston for the Irish Society St. Patrick’s Day Ball in New York in 1995. Six months later Dunne would find himself working with both Butler and Winston in Riverdance.

Dunne joinedthe cast and creative team of Riverdance in October 1995. He was initially invited to choreograph and perform the newly commissioned number Trading Taps with Tariq Winston. However, with the departure of original male lead and choreographer Michael Flatley the day before the re-opening of the show at The Hammersmith Apollo in London, he found himself taking over the principal role on short notice. He toured with the production for three years, taking the show to its US premieres in New York (Radio City Music Hall) and Los Angeles (Pantages Theatre) and also to Australia. His performances were recorded for the Riverdance – Live from New York DVD in 1996. Further choreography credits for the production followed: Firedance (with Maria Pages), Heartbeat of the World (with Maria Pages) and Heartland Duet (with Jean Butler). Special TV appearances during these years included The Royal Variety Show (The Dominion London), The Kennedy Center Honours (Kennedy Center in Washington D.C), and the Grammy Awards (including a duet with Savion Glover) at Madison Square Garden, New York.

In June 1998 Dunne left Riverdance to begin work on a new project with Jean Butler. Dancing on Dangerous Ground was based on the myth of Diarmuid Agus Grainne and was produced by Harvey Goldsmith and Radio City Music Hall. The show had its World Premiere at The Theatre Royal Drury Lane in London in December 1999 and went on to perform to full capacity at Radio City Music Hall in March 2000. Although the show received critical acclaim in New York, it failed to capture the imagination of audiences and critics in London. It closed in June 2000.

After an eighteen-month period living in New York, Colin returned to Ireland in 2001 to take a position as dancer-in-residence at the University of Limerick at the invitation of Micheal O’Suilleabhain. He began focusing on the creation of short solo works, interrogating the space between his traditional dance roots and contemporary arts practice. He presented short solos at The Vail International Dance Festival in Colorado, Jubilee Auditorium in Edmonton and The Queen Elizabeth Hall in London. As part of his final MA he choreographed “Headfoot” for the Daghdha Dance/Yoshiko Chuma production of 10,000 Steps, which closed the first Dublin International Dance Festival.

Since finishing his Masters in 2002 he has sought collaborations with contemporary choreographers in parallel with his own solo creative work. In 2003 he worked again with Yoshiko Chuma in the Daghdha production of The Yellow Room (with dancers Mary Nunan and Olwen Grindly and actor Padraic Delaney). In 2005 he joined Michael Keegan Dolan’s Fabulous Beast Dance Theatre for their production, The Bull, which controversially played for two weeks at The Dublin Theatre Festival, in a role which many saw as a self-parody. His performances in The Bull at the Barbican in 2007 earned him a nomination for a UK Critics Circle National Dance Awards (best male: modern dance). Other work during this period included choreography for The Abbey Theatre (The Shaughraun 2004) and performances with The Irish Chamber Orchestra (Carna, written by Bill Whelan, tour of Ireland in 2004 and Carnegie Hall in 2005). A recording of the chamber piece can be found on the album The Connemara Suite.

Since 2002 Colin has been a regular guest tutor at the University of Limerick on the MA in both Traditional and Contemporary Dance and the BA in Traditional Dance and Music. He has also toured his Masterclass series in the US, Europe and Russia. In 2004 he was invited to teach in Shanghai and Beijing during a two-week residency as part of the China-Ireland festival. Later that year he returned to Birmingham to teach six National Express coach drivers for the Granada TV production, For One Night Only. In 2006 and 2007 he was a regular commentator and judge on the RTE Television show Celebrity Jigs and Reels. He also wrote and presented a four-part radio series for Lyric FM called The Story of Tango (2003).

His first full-length solo show Out of Time premiered at Glór Irish Music Centre in January 2008. This multi-disciplinary work (dance, text, sound technology and archival film footage) saw Dunne return to the question of his traditional dance roots from the perspective of a contemporary practitioner. His ongoing work is supported by The Arts Council/An Comharaile Ealaion; since 2004 he has received 2 bursary awards, a commission award and a project: New Work Award.

 

 Riverdance 1996: American vs. Irish

 

 Colin Dunne and Jean Butler in Dancing on Dangerous Ground

 

 Colin Dunne: Out of Time

MFA Monday

MFA Mondays

                   Happy Monday Framers! 

      Enjoy reflections by Angela Falcone! 

 

 

A Critical Assessment of “Drill Team” vs. “Concert Dance” Culture
 
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“Drill team” is its own culture in the dance world; it has its own set of expectations, language, behaviors, and customs.  A drill team is a group of trained dancers that perform precision in various dance genres during football halftime shows, local parades, and dance competitions. Over the years, I have noticed a regimented trend within drill team choreography.  After experiencing collegiate dance making processes and developing my own personal process, I believe the process of generating high school drill team choreography can be expanded and explored to parallel the ideals of concert dance making.

Typically, drill team choreographers have a limited amount of time with their dancers, while a wide range of choreographers in concert dance have residencies that last from a couple of days to a number of weeks.  Both processes also pose different outcomes.  The drill team choreographic process is final product based, whereas the concert dance world is more interested in the actual process. In attempts to introduce the drill team industry to the processes of concert dance, I believe there are various avenues to generate choreography.  Some examples of these avenues stem from Tere O’Connor’s “lines of research,” which is taken from a workshop with Headlong Dance Theater’s choreographers and Larry Lavender’s “IDEA model,” which comes from his book about “facilitating the choreographic process.”

As previously stated, Tere O’Connor’s “lines of research” would be an essential attribute to drill team dance making.  “Lines of research” is an investigation of particular obsessions that can be as simple as a hand gesture.  Exploring this single movement can then become a process in and of itself.  What is “interesting, evocative, [or] curious” about this particular movement and how many different ways can you explore this hand gesture through timing, direction, and manipulation? By investigating this single gesture, a person can be provoked to make an entire work about that one move (if they so desired).  This “lines of research” idea allows the movement to evolve and develop, rather than dictating what the movement should be.  In Tere O’Connor’s “blook” (his version of a book and blog), he mentions that he wants to “make work as a method for processing a constellation of ideas.”  In drill team, the final product is the goal, but by exploring O’Connor’s method, I would hope to see a shift in the mentality by allowing the process to be the rich, driving force of the work.

Another intervention of drill team that could be implemented is Larry Lavender’s “IDEA model.”  This model serves as a way to approach, generate, and manipulate choreography. “IDEA” is an acronym that stands for Improvisation, Development, Evaluation, and Assimilation.  While I believe drill team choreographers use some of these modes, I do think there can be more involvement with each of these four modes to enrich every aspect of drill team choreography.  In the chapter of Lavender’s book Contemporary Choreography: a critical reader, he mentions that all of these IDEA modes should be present in the creative operation of dance making. 

The one mode that is not present in drill team is improvisation.  The mode of “Improvisation” is essentially what it sounds like, experimenting and improvising with different movements with different bodies.  Reflecting on my background of drill team, improvisation is unheard of and somewhat frowned upon in this industry. My intention with this method would be to develop a movement dialogue with the choreographer and dancers, while also making and inventing different movement through a more artistic, personal, and vulnerable place.

As explained above, there are numerous possibilities that are feasible for the drill team industry.  My ambition is to one day shift the paradigm of drill team choreography by infusing the principles of Larry Lavender and Tere O’Connor into the world of drill team by diving deeper into the work and creating richer developments and opportunities of movement in order to lead up to a process-based final product, instead of simply a final product.

 

 

IMG_0739Falcone3Falcone2 (1)

Angela Falcone, a Houston native, graduated from Friendswood High School in 2007.  She was a member of the drill team, the Friendswood Wranglerettes, where she held the title of Grand Marshal. After graduating, she followed her dream and tried out for the Kilgore College Rangerettes. She had the honor of being chosen as the Freshmen Sergeant and Swingster her freshman year, and received the greatest honor of being chosen as Captain her sophomore year. Following graduation from Kilgore College with an Associate in Fine Arts, she was accepted to the University of Texas at Austin, where she holds a B.F.A. in Dance.  Angela currently attends Texas Woman’s University in Denton, Texas where she is pursuing her M.F.A. in Dance.  She is specifically interested in shifting the paradigm of high school drill team by reinvigorating the choreographic process and bringing a somatic awareness to high school dancers’ bodies.  

Links We Like!

Links We Like

It’s Friday!!!

 

Which Dream Home Should You Live In?

http://www.buzzfeed.com/daves4/which-dream-home-should-you-actually-live-in

 

 

 

 

 

 

What’s Your Patronus? (Harry Potter stuff)

http://www.buzzfeed.com/ariellecalderon/whats-your-patronus

 

 

If you thought Game Boys and VCR’s made you feel old….HAHA!

 

Like a boss