Tuesday Tunes!

Tuesday Tunes

Happy Tuesday Framers! Today our dancing star is …..The King of Pop!

      Michael Jackson

 

 

“Music has been my outlet, my gift to all of the lovers in this world. Through it, my music, I know I will live forever.”

 

Michael Jackson was born Michael Joseph Jackson in Gary, Indiana on August 29, 1958, and entertained audiences nearly his entire life. His father Joe Jackson had been a guitarist, but was forced to give up his musical ambitions, following his marriage to Katherine (Scruse). Together, they prodded their growing family’s musical interests at home. By the early 1960s, the older boys Jackie, Tito and Jermaine had begun performing around the city; by 1964, Michael and Marlon had joined in.

A musical prodigy, Michael’s singing and dancing talents were amazingly mature, and he soon became the dominant voice and focus of the Jackson 5. An opening act for such soul groups as the O-Jays and James Brown, it was Gladys Knight (not Diana Ross) who officially brought the group to Berry Gordy‘s attention, and by 1969, the boys were producing back-to-back chart-busting hits as Motown artists (“I Want You Back,” “ABC,” “Never Can Say Goodbye,” “Got to Be There,” etc.). As a product of the 1970s, the boys emerged as one of the most accomplished black pop / soul vocal groups in music history, successfully evolving from a group like The Temptations to a disco phenomenon.

Solo success for Michael was inevitable, and by the 1980s, he had become infinitely more popular than his brotherly group. Record sales consistently orbited, culminating in the biggest-selling album of all time, “Thriller” in 1982. A TV natural, he ventured rather uneasily into films, such as playing the Scarecrow in The Wiz (1978), but had much better luck with elaborate music videos.

In the 1990s, the downside as an 1980s pop phenomenon began to rear itself. Michael grew terribly child-like and introverted by his peerless celebrity. A rather timorous, androgynous figure to begin with, his physical appearance began to change drastically, and his behavior grew alarmingly bizarre, making him a consistent target for scandal-making, despite his numerous charitable acts. Two brief marriages — one to Elvis Presley‘s daughter Lisa Marie Presley — were forged and two children produced by his second wife during that time, but the purposes behind them appeared image-oriented. Despite it all, Jackson’s passion and artistry as a singer, dancer, writer and businessman are unparalleled, and it is these prodigious talents that will ultimately prevail over the extremely negative aspects of his seriously troubled adult life.

 

 

The First Moonwalk

 

 

 

Thriller!

 

 

 

He’s….well…Bad.

 

 

 

Fact about Mr. Michael Jackson

 

Shares with Carlos Santana the record for most Grammys won in one year, with eight.

First solo artist to generate four top ten hits on the Billboard charts on one album with “Off the Wall.”

First artist to generate seven top ten hits (USA) on one album with “Thriller.”

Until August 2011, he was the only artist in history to generate five #1 hits (USA) from one album with “Bad”. Katy Perry has since tied this record with her album “Teenage Dream”.

With Lionel Richie, co-wrote the song “We Are the World,” and was one of its performers.

His 1982 album “Thriller” is the biggest selling album of all time, with confirmed sales of over 51 million, and claimed sales of over 100 million copies worldwide.

His 1991 album “Dangerous” is one of the biggest selling album of all time, with over 20 million copies sold worldwide.

His 1987 album “BAD” is one of the biggest selling albums of all time, with over 20 million copies sold worldwide.

Jackson hired film director Martin Scorsese to direct the video for the “Bad” album’s title track.

His hit song “Bad” from 1987 was initially supposed to be a duet with fellow 80’s superstar Prince. Prince said in an interview that he did not wish to sing the line “Your butt is mine”.

Inducted into the Rock and Roll Hall of Fame in 2001 (as a solo artist).

Inducted into the Rock and Roll Hall of Fame in 1997 (as a member of the Jackson 5).

Had a skin disease called vitiligo.

Diagnosed with lupus in 1984.

Copied his moon walk after mime Marcel Marceau in “walk-against-the- wind” pantomime techniques.

At his peak, Jackson was reportedly worth around $1 Billion.

Holds 10 different Guinness World Records.

1st May 2001: His video for “Thriller” was voted at #1 by VH1 on their countdown of the Top 100 Greatest Videos Of All Time. At #2 was “Like A Prayer” by Madonna.

 

Tuesday Tunes!

Tuesday Tunes

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Today we are featuring….Fred Astaire!

“People think I was born in top hat and tails.”

The son of an Austrian immigrant, Fred Astaire entered show business at age 5. He was successful both in vaudeville and on broadway in partnership with his sister, Adele Astaire. After Adele retired to marry in 1932, Astaire headed to Hollywood. Signed to RKO, he was loaned to MGM to appear in Dancing Lady (1933) before starting work on RKO’s Flying Down to Rio (1933). In the latter film, he began his highly successful partnership with Ginger Rogers, with whom he danced in 10 RKO pictures. During these years, he was also active in recording and radio. On film, Astaire later appeared opposite a number of partners through various studios. After a temporary retirement in 1945-7, during which he opened Fred Astaire Dance Studios, Astaire returned to film to star in more musicals through 1957. He subsequently performed a number of straight dramatic roles in film and TV.

 

A Scene from Swing Time

 

 

The Famous Dance on the Ceiling….yes, you heard me correctly. Dancing on a ceiling.

 

 

A coat rack, weights, parallel bars and Fred Astaire…

 

Facts about Mr. Fred Astaire…

Wore his trademark top hat and tails in his very first movie appearance, Dancing Lady(1933).

He was voted the 19th Greatest Movie Star of all time by Entertainment Weekly.

Named the #5 greatest actor on The 50 Greatest Screen Legends by the American Film Institute.

He was voted the 23rd Greatest Movie Star of all time by Premiere Magazine.

One of the first Kennedy Center Honorees in 1978.

Ranked #73 in Empire (UK) magazine’s “The Top 100 Movie Stars of All Time” list.

Astaire disguised his very large hands by curling his middle two fingers while dancing.

His legs were insured for one million dollars.

While all music and songs were known to be dubbed (recorded before filming), his tap dancing was dubbed also. He “over-dubbed” his taps – recording them live as he danced to the previously recorded taps.

Inducted into the International Tap Dance Hall of Fame in 2002 (inaugural class).

In December 2013, he was honored as Turner Classic Movies Star of the Month.

Interred at Oakwood Memorial Park, Chatsworth, California, USA, the same cemetery where long-time dancing partner, Ginger Rogers, is located.

Tuesday Tunes!

Tuesday Tunes

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 Hi Framers! This week’s Tuesday Tunes we are doing a Throw Back Tuesday! Here we are looking at one of the greatest dancers of all time-Gene Kelly. He once said if Fred Astaire was the “Cary Grant” of dance, then he was the “Marlon Brando”. 

 

 

Eugene Curran “Gene” Kelly (August 23, 1912 – February 2, 1996) was an American dancer, actor, singer, film director, producer, and choreographer. Kelly was known for his energetic and athletic dancing style, his good looks and the likable characters that he played on-screen.

Metro-Goldwyn-Mayer was the largest and most powerful studio in Hollywood when Gene Kelly arrived in town in 1941. He came direct from the hit 1940 original Broadway production of “Pal Joey” and planned to return to the Broadway stage after making the one film required by his contract. His first picture for Metro-Goldwyn-Mayer was For Me and My Gal (1942) with Judy Garland. What kept Kelly in Hollywood were “the kindred creative spirits” he found behind the scenes at Metro-Goldwyn-Mayer. The talent pool was especially large during World War II, when Hollywood was a refuge for many musicians and others in the performing arts of Europe who were forced to flee the Nazis. After the war, a new generation was coming of age.

Those who saw An American in Paris (1951) would try to make real life as romantic as the real life they saw portrayed in that musical, and the first time they saw Paris, they were seeing again in memory the seventeen-minute ballet sequence set to the title song written by George Gershwin and choreographed by Kelly. The sequence cost a half million dollars (U.S.) to make in 1951 dollars. Another Kelly musical of the era, Singin’ in the Rain (1952), was one of the first 25 films selected by the Library of Congress for its National Film Registry. Kelly was in the same league as Fred Astaire, but instead of a top hat and tails Kelly wore work clothes that went with his masculine, athletic dance style. Gene Kelly died at age 83 of complications from two strokes on February 2, 1996 in Beverly Hills, Los Angeles, California.

 

The Famous Scene from Singin’ in the Rain

 

Tap Dancing on Roller Skates? Of course! Who can’t do that?

 

Just give him a creaky floor and a newspaper…

 

 

Facts about Mr. Gene Kelly:

 

He was voted the 42nd Greatest Movie Star of all time by Entertainment Weekly.

Was named the #15 greatest actor on The 50 Greatest Screen Legends list by the American Film Institute.

Had a fever of 103 degree while filming the famous rain scene in Singin’ in the Rain (1952).

Member of the jury at the Cannes Film Festival in 1959.

Kennedy Center Honoree, 1982.

Awarded the National Medal of Arts by President Bill Clinton in 1994.

A stage version of “Singin’ in the Rain” was awarded the Laurence Olivier Theatre Award in 2001 for Outstanding Musical Production, with choreography by Kelly.

Martial arts stars Jackie Chan and David Carradine both cite him as an influence.

Is one of the many movie stars mentioned in Madonna‘s song “Vogue” and was a dance consultant for her 1993 “Girlie Show” tour.

Tuesday Tunes!

Tuesday Tunes

Hey Framers!

Happy Tuesday!

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Every Tuesday look forward to music recommendations from professional dancers, choreographers, and artists! They will give you an inside look into what tunes get their creative juices flowing and what songs they absolutely can’t live without on their iPod. Excited? We are too! This week we bring you Rosie Trump!

Photo from Rosie Trump's MFA project

Rosie Trump holds a M.F.A. in Experimental Dance Choreography from UC Riverside.  She is a choreographer, dance filmmaker and educator.  Her teaching credits include Seton Hill University, Mt. San Jacinto College and Rice University. Trump is the founder and curator of the annual Third Coast Dance Film Festival and has recently accepted a position as Assistant Professor of Dance at the University of Nevada, Reno.  She is a Frame Dance Productions board member and “Tuesday Tunes” was originally her brainchild – we are so excited to have her kicking off the series!

——————

 Music That Moves Me

What music inspires you the most in the classroom; in the choreographic process?

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In the classroom, I live by Ray McNamara.  He has two albums Ray To Go and Ray to Go 2 Odd Times—run don’t walk to buy these albums here!  I have been teaching to this music for over five years and still find it fresh.  It’s indispensible for modern, creative dance, improvisation and choreography classes.

For choreography, I like to create and rehearse to music that has little to do with what I will eventually make.  I am a big fan of Motown.  I also like to shift between poppy dance music like Scissor Sisters and sad indie ballads from Iron and Wine.

When I am ready to set choreography to music, I usually have a few go-to artists like Múm, The Books, Colleen, and Matmos.

 

What are your three favorite tracks to teach a jazz class to?

Melody Gardot’s– Who will Save Your Soul191b8289c6b11fe6b62c3c72d5af0

Chris Issac’s– Baby Did a Bad Bad Thing

James Brown– It’s a Man’s World

 

What are your top tracks to get the rehearsal process going?

Yeah Yeah Yeah’s –Mapsamywinehouse300

The Dead Weather—60 Feet Tall

Amy Winehouse—Rehab

 

Pick 5 tracks that should be on every dancer’s iPod?

James Brown—Soul Power

Michael Jackson—The Way You Make Me Feel48669857-michael-jackson-news

R.E.M.—Stand

Adele—Rolling in the Deep

Aretha Franklin—Think

 

 

 

Do you have a ‘secret weapon’ song or artist when you need go-to inspiration?

Four Tet’s music, especially the albums There is Love in You and Rounds, always helps me out of a rut.

——————–

Stay tuned for more musical musings next week! 

Are you a dancer/choreographer/artist with musical tastes and advice that you would like to share??? Contact emily.pau@framedance.org if so because we’d love to feature YOU on our blog! 

Tuesday Tunes!

Tuesday Tunes

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We’re loving Tuesday Tunes, which features the musical musings of our favorite artists! This week we have our very own framer and dancer extraordinaire: Jacquelyne Boe! 

 

JackieboeJacquleyne Jay Boe received her BFA from the University of Oklahoma, where she graduated as the Graduate of the Year from the Weitzenhoffer Family College of Fine Arts. In the process of receiving her BFA, she had the pleasure of dancing works by Alvin Ailey, Robert Battle, Mark Dendy, Jean Erdman, Austin Hartel and Pilobolus Dance Theater. Immediately out of college she performed internationally with Hartel Dance Group and The National Ballet of Paraguay in Asuncion, Paraguay. She also worked with Erick Hawkins Dance during Erick Hawkins Centennial celebration at venues such as Jacobs Pillow and the 92nd Y New York City, NY. Since moving back to Houston, she has worked with Frame Dance Productions, Hope Stone Inc., NobleMotion Dance, Alex Soares, Teresa Chapman and Recked Productions. Boe loves teaching all levels of dance and values human connections.

 

 

What music inspires you the most in the classroom; in the choreographic process? 

I am inspired by music that surprises and takes the mind on a journey.

 

What are your three favorite tracks to each a class to?

Recently, I have had live music in my classes by Kirk Suddreath and Kristen Jensen. So I did not know this one off the top of my head. I did some research in the iTunes play lists that I have made for teaching. Breathe Extended Version Mix by Telepopmusik is a staple for my floor warm-up, an audible reminder to breathe. Disneylandia by Jorge Drexler is a nice choice for the circular rond de jambe. The Avalanches song Frontier Psychiatrist is an eclectic choice of music, changing quality constantly. I like to use this for the choreography part of my class.

 

 

Tele

 

What are your top tracks to get the rehearsal process going?

Always different and depends the on day. The other week I choreographed a section of my evening length work “What Lies in Wonder” and the cast warmed up to rap music that I listened to when I was in High School. Now, I don’t listen to rap very often but the rehearsal called for that type of music to inspire.

 

Pick 5 tracks that should be on every dancer’s iPod?

pod
Any classic tracks by Nina Simone, Patsy Cline and The Temptations.

 

Do you have a ‘secret weapon’ song or artist when you need go-to inspiration?

Oh yeah! My secret weapon is my own voice. Sometimes I sing for the leg swings portion of my class when I do not have the pleasure of a live musician. 

 

 

Look forward to more music inspirations next week!

Have a Terrific Tuesday! 🙂

Today’s Tuesday Tunes

Tuesday Tunes

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This week we bring you musical musings from:

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Rachel Holdt! She’s an emerging dance artist, choreographer, filmmaker, budding dance scholar and performance artist making work in academic and professional settings for the past six years.  In the past few years, her practice has evolved to include technology for dance performance incorporating dance for film, gaming devices, projection, and software.  She recently completed coursework at Mills College for her MFA in Dance Choreography and continues to create, perform, and research performance technologies.

Her research investigates the role of integrated technology for dance education at the university level.  Future research will be directed towards required, integrated technology pedagogy for post-secondary education.  She is excited to be creating and presenting performance works and critical theory focused on the intersection of dance and technology, and will continue to develop work that includes and investigates this developing field.

What music inspires you the most in the classroom; in the choreographic process?

Having recently completed my MFA at Mills College in Oakland—and having worked with and been exposed to the world-renowned experimental musicians there, I do approach this particular topic with a great deal of self-realized snobbery.

Inspiration comes from many sources, and less is definitely more, but soundscapes that evoke ideas are the most compelling.  Jacaczek, a polish electro-acoustic musician is one of my most fruitful sources of inspiration in both the classroom and for choreography.  I tend to lean heavily towards the electronic artists, but there are very few acoustic or traditional musicians that move me as deeply.  I find that electronic musicians can create an environment that can be more loosely interpreted than direct methods of traditional musical artists, giving me freedom to create with the sound or directly oppose it.  Some other favorite electronic artists are Squarepusher, Aphex Twin (AKA Caustic Window and AFX, Richard D James), Autechre,  Ulrich Schnauss and Goldfrapp.

I had the privilege to work with two very different musicians during my time at Mills College and I will shout out to them here for their incredible work and amazing music.  An electronic artist working with feedback loops and closed circuits is Nicholas Wang.  Also, a jazz pianist who composed an entire evening length work for me in January is Brett Carson.

Since I am a writer and have a deep affinity for words, I also find conversations, text, and spoken work inspire my work almost just as much as sound.  The Prelinger Arcives—a free source for music, sound, video and more—are a wonderful source for sound of this kind.  Their archive is expansive and has provided me with rich inspiration for many of my works.

Traditional musicians that are capable of getting my creative juices flowing are rare, but there are a few that inspire every time.  A few of the old faithful’s are– Max Reichter, Morton Feldman, Wim Mertens, Zoe Keating, Yann Tiersen, Nortec Collective, Beats Antique, and Ludovico Einaudi.

What are your three favorite tracks to teach a modern dance class to?

When teaching a Modern class, the following three tracks are my top three picks– Jacaczek, album Glimmer, track Goldengrove.  Autechre, album Anti, track Djarum. Max Reichter, album Memoryhouse, and track November (first runner up is also Max Rieichter, album Valse Avech Bachir, trach Into the Airport Hallucination.

What are your top tracks to get the rehearsal process going?

When I’m floundering for inspiration, I listen to ABBA.  Yes, they are old, but boy are they fun! I find their upbeat tempo and harmonies get me inspired to move around the room.  For more reflective creations, I love Everywhere I Go by artist Lissie.  John Cale also has some interesting takes on music, which can completely change my direction at times, and Sigur Ros evokes some interesting ideas.

Pick 5 tracks that should be on every dancer’s iPod?

Aphex Twin, Polynomial-C

Darren Korb, (from Bastion Soundtrack), Build That Wall

Blumenweise Neben Autobahn, Ulrich Schnauss

Oltremare, Ludovico Einaudi

Zoe Keating, Legions(war)

Yan Tiersen, L’Absente

Do you have a ‘secret weapon’ song or artist when you need go-to inspiration?

Video Game Soundtracks

Some interesting musicians to watch or Rising Stars – Rosina Kazi, Ensemble Mik Nawooj

Links:

https://www.facebook.com/Jacaszekmusic?fref=ts

http://ghostly.com/artists/jacaszek

https://soundcloud.com/brett-carson

https://soundcloud.com/winolasch  (Nick Wang)

https://www.facebook.com/ensemblemiknawooj?fref=ts

https://www.facebook.com/rosina.kazi/about

http://archive.org/details/prelinger

Tuesday Tunes!

Tuesday Tunes

Screen Shot 2013-07-09 at 12.05.42 PM

 

 

 

 

 

This week we bring you musical musings from:

KAL_3746b

Rachel Holdt! She’s an emerging dance artist, choreographer, filmmaker, budding dance scholar and performance artist making work in academic and professional settings for the past six years.  In the past few years, her practice has evolved to include technology for dance performance incorporating dance for film, gaming devices, projection, and software.  She recently completed coursework at Mills College for her MFA in Dance Choreography and continues to create, perform, and research performance technologies.

Her research investigates the role of integrated technology for dance education at the university level.  Future research will be directed towards required, integrated technology pedagogy for post-secondary education.  She is excited to be creating and presenting performance works and critical theory focused on the intersection of dance and technology, and will continue to develop work that includes and investigates this developing field.

What music inspires you the most in the classroom; in the choreographic process?

Having recently completed my MFA at Mills College in Oakland—and having worked with and been exposed to the world-renowned experimental musicians there, I do approach this particular topic with a great deal of self-realized snobbery.

Inspiration comes from many sources, and less is definitely more, but soundscapes that evoke ideas are the most compelling.  Jacaczek, a polish electro-acoustic musician is one of my most fruitful sources of inspiration in both the classroom and for choreography.  I tend to lean heavily towards the electronic artists, but there are very few acoustic or traditional musicians that move me as deeply.  I find that electronic musicians can create an environment that can be more loosely interpreted than direct methods of traditional musical artists, giving me freedom to create with the sound or directly oppose it.  Some other favorite electronic artists are Squarepusher, Aphex Twin (AKA Caustic Window and AFX, Richard D James), Autechre,  Ulrich Schnauss and Goldfrapp.

I had the privilege to work with two very different musicians during my time at Mills College and I will shout out to them here for their incredible work and amazing music.  An electronic artist working with feedback loops and closed circuits is Nicholas Wang.  Also, a jazz pianist who composed an entire evening length work for me in January is Brett Carson.

Since I am a writer and have a deep affinity for words, I also find that conversations, text, and spoken work inspire my work almost just as much as sound.  The Prelinger Arcives—a free source for music, sound, video and more—are a wonderful source for sound of this kind.  Their archive is expansive and has provided me with rich inspiration for many of my works.

Traditional musicians that are capable of getting my creative juices flowing are rare, but there are a few that inspire every time.  A few of the old faithful’s are– Max Reichter, Morton Feldman, Wim Mertens, Zoe Keating, Yann Tiersen, Nortec Collective, Beats Antique, and Ludovico Einaudi.

What are your three favorite tracks to teach a modern dance class to?

When teaching a Modern class, the following three tracks are my top three picks– Jacaczek, album Glimmer, track Goldengrove.  Autechre, album Anti, track Djarum. Max Reichter, album Memoryhouse, and track November (first runner up is also Max Rieichter, album Valse Avech Bachir, trach Into the Airport Hallucination.
What are your top tracks to get the rehearsal process going?

When I’m floundering for inspiration, I listen to ABBA.  Yes, they are old, but boy are they fun. I find their upbeat tempo and harmonies get me inspired to move around the room.  For more reflective creations, I love Everywhere I Go by artist Lissie.  John Cale also has some interesting takes on music, which can completely change my direction at times, and Sigur Ros evokes some interesting ideas.
Pick 5 tracks that should be on every dancer’s ipod?

Aphex Twin, Polynomial-C

Darren Korb, (from Bastion Soundtrack), Build That Wall

Blumenweise Neben Autobahn, Ulrich Schnauss

Oltremare, Ludovico Einaudi

Zoe Keating, Legions(war)

Yan Tiersen, L’Absente
Do you have a ‘secret weapon’ song or artist when you need go-to inspiration?

Video Game Soundtracks

Some interesting musicians to watch or Rising Stars – Rosina Kazi, Ensemble Mik Nawooj

Links:

https://www.facebook.com/Jacaszekmusic?fref=ts

http://ghostly.com/artists/jacaszek

https://soundcloud.com/brett-carson

https://soundcloud.com/winolasch  (Nick Wang)

https://www.facebook.com/ensemblemiknawooj?fref=ts

https://www.facebook.com/rosina.kazi/about

http://archive.org/details/prelinger