Kelli Meyer’s thoughts while making LOVE ME

Performances/Screenings
photo by Lorie Garcia, Studio 4d4

 

To get you ready for LOVE ME this Thursday at Archway Gallery.

Brought to You by Frame Dance Productions, written by Kelli Meyer

When my friend Lydia told me about her new project Framing Bodies, I was psyched! The project involves a group of people, dancers and not dancers, sharing stories of love, loss, and loneliness. It involves writing, and movement. Two art forms combined. It was really exciting to hear about so when she sent out emails inviting all to join, I jumped on the chance.

Those who know me well, know I love the idea of writing, but when comes to the “sit-down-and-do-it,” well, I kind of fall short there. But so far I believe one of my expectations of this project is coming true: I’m actually sitting down and writing!

The First Rehearsal

So I must admit I was really nervous on my way to the first night of rehearsals. There were so many things to worry about: will traffic let me get there on time, will I get lost, will I look stupid? As it turned out I wasn’t the only one walking in a little late and Lydia hadn’t started without us. I did stumble through the short interview. Even though she only asked us what we did for a living, what our reactions to the project were, and expectations, it seemed like I couldn’t find coherent words to express myself. Yay for editing! Right? When we started warming up, Lydia surprised me by having the curtains closed, covering all the mirrors. My initial reaction was, “Wait! I won’t be able to see if I’m doing this right!” but my second reaction was sort of a humorous feeling of relief. “I won’t be able to see myself, and therefore how stupid I think I look.” So anxieties were destroyed. Though, I still felt awkward moving around being as I haven’t been to a dance class in about ten years. But I started to get used to it as the rehearsal went on, and it was really fun, and inspiring.

I think about half of the room was professional dancers who knew each other, but everyone was very open, especially for a first session. I really enjoyed the exercise we did with movement and words. Lydia had us move as if a part of your body was pulling you (like your hand, or knee or head). Someone said a word, like “Love” and we would all move, then someone else could say another word such as “Comfort” and we would stop moving until someone else said another word.

Besides movement, we each had a notebook. Inside the notebook was a writing prompt. We were given a few minutes to write on the prompt before warming up. My prompt was “I felt love when…” I thought of the first time my husband kissed me. It felt great to write in those few minutes. Later, we were split into small groups. Each person shared what they wrote with their group and the rest of the group wrote what they felt were key words to their stories. Then we all shared our notes with our group. It was so interesting and really amazing to see what people get out of other people’s stories, even simple words. In our group Denise used colors as vivid personifications. Instead of writing words from the stories, Cassie chose to use words and phrases that came to mind from hearing the stories. From the stories Lydia had us pick certain words or a phrase and start to create movement to go with that phrase. I tried to find a rhythm in my phrase before moving. That helped me a lot. Although I still think my movement imagination is a bit limited. The exciting thing is how that will change in the next month. Needless to say, I’m looking forward to next Wednesday.

Performances/Screenings

Dear Loyal and Fabulous Fans of Frame,

A year ago, we were accepted enthusiastically to screen an audience-favorite film, Crease, in Dance Houston.  We have been diligently advertising the festival and our participation in it.  We are disappointed to tell you that Frame Dance will not be presented in Dance Houston this year.  Because our work is a dance film, it was cut from the program.  We are incredibly disappointed and regret knowing only a week before the event, and apologize to our fans for the last minute news.  Below is a letter from the director emailed to me today.  The show is this weekend, and if you have bought tickets to see Frame, you are entitled to a refund.  Please contact Dance Houston if needed.

 

Dear Lydia,

 

Thank you for your interest in participating in Dance Houston and for your understanding of our decision to exclude Crease from our upcoming festival.  We were thrilled to have the opportunity to present it last summer at Zilkha Hall; however, we do not have the resources to present it at Cullen Theater at this time.  We are sorry for disappointing you and your supporters.  Frame Dance Productions does outstanding work and we hope to have the opportunity to work together in the future.

 

Regretfully Yours,

 

Andrea Cody

Director, Dance Houston

andreacody@houstondance.org

406 W. Clay

Houston, Texas  77019

office – 713.526.1049

fax – 832.201.9296

www.dancehouston.org

LOVE ME to be screened next week!

Performances/Screenings
 Here is cast member Denise Wilborn’s response to the process of creating LOVE ME.

 

photo by Lorie Garcia, Studio 4d4
Denise Wilborn, Donna Meadows and Jacquelyne Boe by Lorie Garcia, Studio 4d4

 

 

Step. Step.  Turn.  Lift. Recover.

Repeat.

Step.  Step.  Turn.  Lift.  Recover.

Repeat.

Step.  Turn.  Recover.  Step.  Lift.

Repeat.

 

For Martha Graham the solar plexus was the center of dance, of movement.  She challenged her dancers to reach and stretch from the solar plexus and take that risk of falling and learning how to recover, only to do the same once again.   Being on the edge, reaching to the next place, and recovering only to begin the process anew are so much an aspect of engaging, challenging dance.  Dance that engages the heart and challenges the mind.  These are also key characteristics of life.

The past few weeks as I’ve worked with Houston area dancers of all ages and abilities, the challenges to reach, lift, and recover are ever present.  I have not danced for decades!  I am not as sure of my balance, my strength, my flexibility as I once was.  And, yet, I am relishing the physical, mental, and emotional challenge of this process. I am relearning the physical act of lifting and recovering.

My heart is also in the process.  As we are challenged to reflect on the ever elusive ideal of love, my emotions are following the same pattern of risk, lift, recover.  Some of the falls are old, never fully explored before putting them away.  Those old falls still inform my new risks, my newer loves.

Each step in this amazing process is a bit surer than the one before.  I gain a bit more strength and balance as I practice and repeat the physical reflections of the written words on my pages.  Each repetition of the movements scaffolds the peeling of my emotions, allowing me the existential faith to lift and stretch to the next place.

I don’t think the tasks, the steps, are that important.  Rather it is the lifting of the solar plexus or the heart, knowing I open myself to the possibility of falling.  In dance and in everyday life, it happens.  How do I recover as I keep dancing, keep loving, keep living?

 

Denise Livings Wilborn

 

 

Get your tickets at framedance.org/boxoffice. Thursday, February 23, 7:30pm at Archway Gallery.

Lydia Hance is a recipient of an Individual Artist Grant Award. This grant is funded by the City of Houston through Houston Arts Alliance.  Frame Dance Productions’ Framing Bodies is  funded in part by the Puffin Foundation.  Frame Dance Productions is a recipient of a Rice University Dance Program Space Grant.

A cast member reflection on LOVE ME.

Performances/Screenings

 

photo by Lorie Garcia, Studio 4d4
Nichelle Strzepek by Lorie Garcia, Studio 4d4

Lift arm, pull hip, touch shoulder, push ankle. Actions and body parts. Words of common understanding suddenly require new analysis, especially when the task is to apply them to another person. Lift her arm. Touch his shoulder. But how? With what? Faced with the choices, they can seem either impossibly vast or stiflingly limiting.

Dancers become well-practiced at these kinds of ‘assignments’. So the analysis is short, committing doesn’t feel as final. The choices are still vast or limiting but, oh well. We know it will all work out. If not, it’ll be changed, cut, rearranged. No “right” path, just decision. No moment but this one. Dancer Zen.

For this particular exercise, the choices we make with our partner aren’t even lasting (though they are filed away for possible use). Lydia asks us to take what once was a partnership and without changing it (much), let it be a solo. But not for long…

Cut and paste. A new partner. Two solos become a duet. More choices. A new energy. Different points of contact. A fresh addition to the file.

The choreography file fattens. Each week, variations and options multiply before our eyes. Words on the page add to the realm of possibilities.

I’ve been on the choreographer side. Zen can be much harder to achieve when sitting in the director’s chair, whether for the stage or for film. I’m feeling glad not to be responsible for the final slice, dice, mix, and stir, though all that possibility is as much a rush as it is daunting.

I get to just enjoy the process. Be surprised. Be fascinated. Be present.

But I look forward to the finish, to seeing the choices Lydia makes. What she creates from all the puzzle pieces.

I look forward to looking back. To how these pieces were carved and created. To remember the spark, the inspiration, the task, and to marvel how each and every time, magically, things travel from Point A to Point B. To the memory even of a moment in time before my child (still within) becomes an individual, a reality, a relationship I can’t live without.

Nichelle Strzepek by Lorie Garcia, Studio 4d4
Nichelle Strzepek by Lorie Garcia, Studio 4d4

 

Get your tickets at framedance.org/boxoffice.  February 23, 7:30 pm at Archway Gallery.

Lydia Hance is a recipient of an Individual Artist Grant Award. This grant is funded by the City of Houston through Houston Arts Alliance.  Frame Dance Productions’ Framing Bodies is  funded in part by the Puffin Foundation.  Frame Dance Productions is a recipient of a Rice University Dance Program Space Grant.

Tonight Only– 7pm

Performances/Screenings

Come see Frame Dance open the show with Satin Stitch! There’s a wine and cheese reception afterwards, so come hang with us!  At least four of the cast members will be there as well to give you the inside scoop about being in Satin Stitch, and anything else you’d like to know or chat about.  They’re fantastic, if I do say so myself.

February must be the month of Frame

Performances/Screenings

We like alliteration.

Get those iCals out.

*** Frame Fans who attend all five of these Frame events in February will receive a trophy and the title of Fiercest Frame Fan***

To enter: post a picture of yourself at each Frame event on our Facebook page.

At a glance:

Feb. 5: Director Lydia Hance and Framers Ashley Horn and Alex Soares participate in a panel discussion on dance and film held at Hope Stone. Free. The event is hosted and facilitated by Donna Meadows who was one of our fabulous dancers in Framing Bodies: LOVE ME. Let’s just say the beautiful people will be there. 2:00-3:30pm.

Feb. 12 is dance film festival Motion Captured held at the Kaplan Theater. Satin Stitch will screen, featuring the music by Micah Clark, last year’s winner of the Frame Dance Music Composition Competition. 7pm.

Feb. 18 is Dance Houston held at the Wortham Theater. Crease will screen. An “oldie” but a goodie.

Feb. 23 we will screen Framing Bodies: LOVE ME at Archway Gallery in celebration of their 35th Anniversary. 7:30 pm and tickets will be available soon at wwww.framedance.org/boxoffice.

Feb. 24 is our second installment of Framed! at the Photobooth on Montrose. 8pm. Big surprises await you.

Fabulous rehearsal last night!

Performances/Screenings

Thanks to all who came and observed rehearsal last night!  We gave you the inside scoop, and now you get to see where it goes between now and January 20th.  If you missed us last night, no worries!  Come see us on January 20th in Houston at Westheimer and Montrose.  Here’s our new postcard for the series.  Photo and design by the Photobooth’s very own Simon Gentry.